Ink

The group of work is inspired by traditional Chinese landscape painting. Lost in a strange arrangement with highly twisted space between grid and ink forms, an audience will experience the unformed chaos of industrial and electronic development under a poetic landscape veil. Here, time and space seem to disappear. All beings and non-beings are hidden in the floating ink and water, completely self-contained; human passions do not matter. However, the work also implies a chaotic current under its veil of serene blandness. The work not only points to the essential abstraction of water but also implies the fundamental uncertainty and ambiguity of life during troubled times when the environment in which humans live is chaotic and upended.

Ink on Xuan paper